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ARCHTECTURE

The passion for architecture inherited by Carlos Páez Vilaró from his father is almost an obsession.
The first hint of this fondness appeared when he reformed the drawing of a wooden house, which had appeared in a
catalogue, for the construction of his first workshop in Carrasco, Uruguay. In the 50’s decade, he recycled and old water mill, in Punta del Este, where the Conrad Hotel is situated today.
This place was his home for several years, but as it was owned by the Government, he was obliged to share it with a radio
station.
This fact led him to look for a place in front of the sea to keep away from noise and to feel himself free.
When he discovered the dazzling landscape in Punta Ballena, he definitely knew that it would be the place to build his
workshop.

Casapueblo

In 1958, Carlos Páez Vilaró initiated his project, in spite that the place was quite lonely, with no electric light, no water, no trees or outlined roads.
The first construction was a tin-roofed hut where he kept doors, windows and materials for the future house.
Then he built "La Pionera" (The Pioneer) helped by his friends. This was his first atelier over the rocking cliffs.
It was a house covered with wooden planks that he used to gather on the shore after strong stormy days, helped by the
fishermen of the place.
In the decade of the 60´s he decided to cover the wooden walls with portland-cement and the building grew-up, with rooms
linked as the wagons of a train.
He could integrate the construction to the landscape with designs according to the levels of the mountain, without affecting its
nature.
He broke all kind of schemes, fighting against straight lines and angles with the concept of a "bread-furnace".
He built up the walls with his own hands and a simple shovel.
Casapueblo continued stretching itself up to the sky or towards the sea. It could only be compared to the birds’ flight.

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"I give my apologyze to Architecture for being as free as the oven-bird"

Carlos Páez Vilaró

 

 

 

 

Multiple Worships Chapel

It is stuated in a Private Cementery called "Los Cipreses" (The Cypresses), in San Isidro, Buenos Aires, Argentina.
Carlos Páez Vilaró integrated his experiences and his knowledge to construct this chapel, keeping in mind special care oneach detail.
The stained glass windows created by the artist represent a garden where birds, insects, fishes and coral reeves are melted
under an exciting constellation of shooting stars, comets, planets, suns and moons.
The open windows style is designed far from the classical concept and the floor was thought as a "garden-carpet" made of polished cement where a simple drawing starts with a flower and ends with the sun.

The artist designed the chapel with its dome simulating an oven-bird nest built with the most simple materials, without display
of wealth and luxury.
Assuming that Carlos Páez Vilaró is a painter of life, it was hard for him to create a chapel in a place for burials
It was different from the task of building a house, modeling a sculpture or painting a picture.
He worked bearing in mind the idea of two hands held in a prayer.
It would be free open to all worships, races and idioms, with its circular towers framed by the landscape and its domes
stretching up to the sky.

 

 

 

"Bengala", Casapueblo-Tigre

In the decade of the 80’s, Carlos Páez Vilaró was attracted by an antique wooden house situated in a place called "El Tigre" (-The Tiger), Argentina. 
It has been imported from Ireland and installed in 1889.
He felt greatly impressed by the abandoned house which was surrounded by a tangled vegetation.Undoubtedly, he decided to undertake the challenge to remodel it.
A few meters from the old house, he started to build "Bengala", his atelier-residence in Argentina.
He followed the style he had observed when building Casapueblo in Uruguay, that means his "archi-texture" with the concept
of the "bread-furnace". The main housing sector is placed among leafy trees, magnolia trees and strong palm trees.
The artist integrated each room to rows of arches, devices, african figures, bronze murals and domes with coloured glass
windows.